Running Time: 29 hours, 15 minutes
Welcome to the ultimate collection of Photoshop tutorials—Photoshop Workbench! This DVD set features Episodes 1 – 80 of Mark Johnson’s world-renowned Photoshop Workbench series. With a selling price of $79.95, you can add this incredible collection to your educational library at a cost of only 40 cents per Workbench ($79.95 for all 80 episodes).
Representing more than 58 hours of inspirational Photoshop training, these videos illuminate techniques in Photoshop versions CS2, CS3, and CS4. No matter the Photoshop version, Mark’s friendly and conversational approach to teaching invites you to explore a non-destructive editing style that sets your mind at ease and encourages you to use Photoshop in a joyful and imaginative fashion.
Each Workbench is presented in its original quality and size (640 x 480 or 1024 x 768 pixels), and many are Radiant Vista website recordings that are only available on this DVD. The Table of Contents is keyword searchable (**recommended web browsers only) and contains large image thumbnails for easy tutorial recognition. Simply click the title of the Workbench that you wish to view, sit back, and enjoy the learning experience.
To experience full DVD functionality, please consider using the latest version of Mozilla Firefox or Internet Explorer. Other browsers (including Safari and Internet Explorer 7) are likely to experience Table of Contents’ Search field difficulties, but not Workbench playback issues. This DVD is designed for viewing on both Macs and PCs, but is not intended for television viewing. Some Workbenches contain references to the Radiant Vista website.
001 – 10:52 – Retouching and Color Correcting
002 – 18:01 – Using the Info Palette and Curves to Remove a Strong Color Cast, and Color Correcting with the Essential Adjustment Layers
003 – 12:56 – Retouching, Color Correcting, and Replacing a Sky
004 – 17:32 – Creating a Glowing, Moody, High-Contrast Black and White Image with Accents of Color and Defocused Corners
005 – 10:23 – How To Use the Shadow / Highlight Adjustment
006 – 17:18 – Imparting an Ethereal Look and Combining Existing Color with Black and White
007 – 18:25 – Strengthening the Relationship Between Two Main Subjects Using the Five Essential Adjustment Layers
008 – 13:34 – Color Correction and Replacing a Sky with a Manufactured Version
009 – 12:32 – Enhancing Complementary Colors and Adding a Vignette
010 – 17:22 – Color Management and Color Profiles Overview, and Retouching with the Patch and Clone Stamp Tools
011 – 17:44 – Selectively Controlling Focus, Replacing a Sky, Adding Local Contrast, and Exploring Motion Blur
012 – 12:32 – Improving a Sunset in a Bus Window, Adding a Vignette, and Exploring Black and White with Color
013 – 13:20 – Enhancing Fall Colors, Checking a Histogram, Using Shadow / Highlight, and Adding a Soft Glow
014 – 19:07 – Recording the Adjustment Layer Build Action
015 – 15:12 – Recovering Shadow and Highlight Detail with Shadow / Highlight, Curves, and the Patch and Clone Stamp Tools
016 – 19:29 – Drawing Attention to the Main Subject and an Introduction to Sharpening with Smart Sharpen
017 – 16:00 – Leveling a Horizon in the Lens Correction Dialog, Adding a Vignette, and Converting to Black and White
018 – 15:46 – Using the Five Essential Adjustment Layers for Color Correction and Exploring a Creative Slap-Zoom Effect
019 – 20:11 – Using Shadow / Highlight, Replacing a Sky, Tweaking the Edge Where Sky Meets Horizon, and Draining Color
020 – 16:49 – Accentuating the Haunting, Graphic Nature of an Image by Blending Color with Black and White
021 – 23:11 – Adding Density to a Sunset with Multiply Mode, Color Correction, and Straightening a Horizon
022 – 15:33 – Correcting a Color Cast and Adding a Motion Blur
023 – 16:55 – Simulating a Color Grad Filter and Creating the Cotton Candy Waterfall Effect
024 – 21:07 – Correcting Pin Cushioning and Barrel Distortion in the Lens Correction Dialog, Removing a Lamppost, and Using Retouching Protection
025 – 16:16 – Drawing Attention to the Strongest Elements and Experimenting with a Fisheye Effect
026 – 22:23 – Leveling a Horizon, Digital Grafting, Reducing Noise, and Simulating Fog
027 – 20:31 – Portrait Retouching (Removing Blemishes, Dodging and Burning, Correcting Skin Tones, Whitening Teeth, and Saturating Lips)
028 – 11:08 – Adding Light to Guide the Viewer’s Eye
029 – 16:02 – Improving Color Using Selective Color, Hand-Tinting, and Creating a Copyright Brush
030 – 19:18 – Accentuating Black and White Elements, Blurring Moving Water, and Replacing a Sky Using a Blending Mode
031 – 19:02 – Using the Shadow/Highlight Adjustment, Adding Alpenglow via Advanced Blending, Sharpening with Smart Sharpen, and Using the History Brush
032 – 18:30 – Making a Selection with the Magnetic Lasso Tool, Saving the Selection, and Replacing and Blurring the Background
033 – 25:59 – Defocusing an Element, Adding Atmospheric Elements such as Steam, and Replacing a Logo
034 – 17:22 – Two Approaches for Converting from Color to Black and White – Multiple Hue/Sat Layers and Three Channel Mixer Layers
035 – 19:51 – Replacing an Overexposed Background Using Color Range and Various Masking Techniques
036 – 19:59 – Toning Down Troubling Highlights and Radially Blurring a Distracting Background
037 – 20:42 – How to Incorporate Adobe’s Raw Converter Into Your Workflow and Using the Lens Correction Dialog to Fix Perspective
038 – 19:00 – Using Selections to Separate a Subject From the Background (A Pop-Out Photo)
039 – 20:53 – Adding Realistic Clouds to a Sky and a Lake
040 – 12:01 – Single-Image Mosaic
041 – 14:48 – Using Hue/Saturation to Radically Alter Color and Working with Custom Eye Brushes
042 – 12:01 – Eliminating Undesirable Elements and Soft-Glow Montage
043 – 14:23 – Recording an Action and Batch Processing
044 – 13:51 – Intensifying a Sky, Borrowing a Mask, Inverting a Mask, and Adding a Glow to a Light
045 – 15:55 – Creating Selective Focus
046 – 17:47 – Converting a Photograph Into a Painting Using Filters and Blending Modes, and Adding a Custom Polaroid Border
047 – 16:39 – Combining Two Images of the Same Subject to Create the Illusion of Motion
048 – 17:24 – Artsy Grunge Effect
049 – 18:28 – Automation Overview (Batch Renaming, Adding a Copyright, Batch Processing, Batch Processing in Adobe’s Raw Converter)
050 – 25:07 – Sophisticated Retouching Using Protection, Digital Grafting, and the Clone Stamp
051 – 28:14 – Hand Coloring a Black and White Image
052 – 13:39 – Low-Key Stylized Portrait Effect
053 – 18:16 – Multiple Uses for Clipping Masks
054 – 25:42 – Painting with Light and Writing an Action to Save Your “Best Of” Images
055 – 28:53 – Histogram Overview, Changing a Keyboard Shortcut, Creating a Cotton Candy Waterfall, and Soft-Glow Montage
056 – 24:48 – Cropping Non-Destructively, Artful Black and White Conversion, Coffee-Toning, Accentuating Grain, Vignetting Corners, and Adding a Textured Border
057 – 18:18 – Using a Smart Object to Wrap an Image Around a Circular Shape
058 – 22:25 – Simulating Night Vision and Replacing a Sky Behind Glass
059 – 31:29 – Building Density in a Sky, Removing a Blue Cast, and Placing an Image on the Side of a Barn
060 – 26:53 – Preparing a Layered Master Photoshop File for Fine Art Printing
061 – 21:30 – Creating a Panoramic Motion Collage
062 – 32:56 – Black and White Infrared and Color Infrared
063 – 10:42 – Creating the Bloom Effect
064 – 13:36 – Simulating the Look of a Polarizing Filter
065 – 17:40 – Correcting Color Casts When Nothing Neutral is Present
066 – 23:47 – Blending Multiple Macro Exposures to Increase Depth of Field
067 – 21:06 – Creative Montaging with Blending Modes and Adding a Tattered Edge
068 – 18:35 – Enhancing God Beams with Smart Filters and Creating an Animated Look Similar to the Films Waking Life and A Scanner Darkly
069 – 21:47 – Fashioning a Realistic Looking Reflection in Water
070 – 23:55 – Creating an Image Collage with a Graphic Design Appearance
071 – 22:17 – Correcting Perspective in an Architectural Photograph, Stretching Blue Sky, and Adding a Glow to Manmade Lights
072 – 25:49 – Creating a Movie Poster from Two Images
073 – 16:53 – Examining the Black and White Adjustment Layer in CS3
074 – 16:26 – One Fell Swoop Upsampling Using Bicubic Sharper Interpolation
075 – 23:56 – Wedding Photography Workflow
076 – 17:28 – Processing JPEGs in Adobe Camera Raw
077 – 24:55 – Creating a Smart Object Custom Label Template
078 – 27:20 – Simulating the “Band of Brothers” Look
079 – 21:16 – Cross Processing and Adding a Film Sprocket Border
080 – 34:15 – Botanical Dreaming Spring Paint Rollers Composite
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